Country Music

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By 1982, country radio had quietly let go of Johnny Rodriguez. That year his two singles stopped at No. 66 and No. 89. Six No. 1 records behind him, and the phone wasn’t ringing much anymore. Then somebody handed him a song called “Foolin’.” It’s a small, plain song. A man admits he was lying when he swore he’d love her forever — then finds out he’s the one who can’t walk away. No big arrangement. Just a voice that already knows it lost the argument. But the strange part isn’t that it worked. It’s who wrote it. Ralph Mooney. Not a Nashville songwriter — a steel guitar player. Waylon Jennings’ steel man for twenty years. Back in 1949, after his wife walked out over his drinking, he sat down alone and wrote “Crazy Arms” in a few minutes. Thirty-four years later, another Mooney song put Johnny Rodriguez back at No. 4 on the country chart. His first Top 5 since 1977. It was also nearly his last.

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When Johnny Rodriguez Found His Way Back With “Foolin’” By 1982, country radio had started to move on from Johnny…

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LORETTA LYNN RECORDED A SONG MARTY ROBBINS WROTE. ELEVEN DAYS LATER, THEY WERE STANDING ON NBC TOGETHER. It was past midnight on August 24, 1973. NBC handed The Midnight Special — a show built for rock and pop crowds — over to country music for a full 90 minutes. Loretta Lynn and Marty Robbins hosted it together. They opened the show side by side, then handled nearly every introduction that night, teasing each other between acts like two people who’d been doing this for years. They hadn’t. Look for their other work together, before or after, and there’s almost nothing. No duet record. No tour. This was pretty much all of it. Which makes the song they sang together that night — “Singin’ the Blues” — sit a little differently now. Eleven days before the broadcast, Loretta had released Love Is the Foundation. Track eight, past “Why Me,” was called “I Gave Everything (That a Girl in Love Should Never Give).” Written by Marty Robbins. Behind them: George Jones, Tammy Wynette, Conway Twitty, Tanya Tucker, Don Gibson, Tom T. Hall, Charlie Rich, Johnny Paycheck, Johnny Rodriguez, the Earl Scruggs Revue. Marty closed his set with “El Paso.” Loretta pulled Conway out for “Louisiana Woman, Mississippi Man.” Then the two of them came back out and sang the show off, the same way they’d started it.

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Loretta Lynn and Marty Robbins on NBC: A One-Night Country Music Moment That Still Feels Special Late on August 24,…

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HE SAID IT WASN’T PERFECT — IT SAID NOTHING ABOUT MAMA, TRAINS, TRUCKS, PRISON OR GETTING DRUNK. ONE MORE VERSE, AND IT HIT NO.8. Two songwriters sat in a hotel room and decided to poke fun at every country song they’d ever heard. Steve Goodman and John Prine wrote it laughing. When it was finished, Prine wanted his name off it. He thought it was a novelty. He didn’t want to insult the country crowd. Goodman put it on his 1971 debut album. Almost nobody noticed. Then David Allan Coe heard it. Goodman told him it was the perfect country and western song. Coe wrote back and said it couldn’t be — not one word about mama, or trains, or trucks, or prison, or getting drunk. So Goodman sat down and wrote one more verse with all five in it. Coe cut it on August 20, 1974. Five minutes and sixteen seconds. It climbed to No.8 — the first Top Ten of his career. Goodman wasn’t laughing when he first heard what Coe did with that last verse. He carried it straight to Kris Kristofferson. Prine never took a dollar. So Goodman spent part of his own royalties on a 1942 Wurlitzer jukebox and handed it to him. Prine filled it with old 78s and kept it in the corner of his Nashville office. In October 2023, his family carried it into the Country Music Hall of Fame.

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The Joke That Became a Country Classic It started like a dare, or maybe a private joke between two songwriters…

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HE KNEW FOR TEN YEARS BEFORE HE TOLD ANYONE. TEN YEARS OF WALKING ONSTAGE AND HOPING NOBODY NOTICED. Alan Jackson was diagnosed in 2011. Charcot-Marie-Tooth disease. A nerve condition he inherited from his father. No cure. It slowly takes your balance. He told nobody for ten years. Then in 2021 he went on television and explained it himself. His reason was simple: he didn’t want fans thinking he was drunk up there. He could have quit that day. Instead he booked a farewell tour and called it Last Call. It ran four years. May 2025, Milwaukee. His last show on the road. He told the crowd he was winding down, then got choked up. But he promised one more — in Nashville. The town he came to in 1985 from Newnan, Georgia, with nothing. June 27, 2026. Nissan Stadium. A storm pushed the start back an hour. Fifty-five thousand people stood in the rain and waited. He walked to the microphone slow and stiff. Then he picked up the guitar, opened with “Gone Country,” and the voice was still there. Twenty-four songs. One dollar from every ticket went to research. The tour raised more than $2.25 million toward a cure. He didn’t get carried off. He walked off. On his own terms, in the same town where it started.

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Alan Jackson’s Final Bow in Nashville For years, Alan Jackson carried a private truth while doing what he loved most:…

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THE COMEBACK VERN GOSDIN SPENT MONTHS PREPARING FOR FELL 44 DAYS SHORT. By the end of 2008, Vern Gosdin had already given country music four decades of heartbreak. That December, the 74-year-old singer released 40 Years of The Voice, a four-disc collection containing 101 songs. It could have been a farewell. Vern treated it like a beginning. Despite a history of strokes, he was preparing to appear at the CMA Music Festival in Nashville the following June. His assistant, Dawn Hall, said that until early April, Vern was still independent and “telling me what to do.” He was also renovating his tour bus. The man who had once stepped away from music to run a glass company was preparing to return to the road again. The bus was being repaired. The festival was waiting. And “The Voice” still believed there was another stage ahead of him. Then Vern suffered another stroke. Those around him initially saw signs that he might recover. But on April 28, 2009, Vern Gosdin died at a Nashville hospital. He was 74. The CMA Music Festival opened on June 11. The comeback he had been preparing for fell just 44 days short. Vern did not spend his final months preparing to disappear. He spent them releasing music, repairing a bus and planning one more return. When “The Voice” fell silent, the road he intended to travel was still waiting.

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The Comeback Vern Gosdin Spent Months Preparing For Fell 44 Days Short By the end of 2008, Vern Gosdin had…

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HANK SNOW WAITED YEARS FOR THE OPRY. THE MAN WHO INTRODUCED HIM IN 1950 WOULD BE DEAD THREE YEARS LATER — AT 29. January 7, 1950. Hank Snow had been chasing America for years. Hollywood. West Virginia. A radio slot down in Dallas. Nothing stuck. It was Ernest Tubb who carried a stack of Snow’s records over to WSM and kept pushing until the Opry finally said yes. Seventy-five dollars a week. And the man who walked out to introduce him that night was Hank Williams. Twenty-six years old. Only seven months an Opry member himself, and already the biggest voice in that building. Snow sang “Brand On My Heart.” The clapping came back polite. Thin. Most people in the room had no idea who he was. The appearances after that went the same way, and his trial run was nearly up. What he wrote before that run ended is the part almost nobody tells. Three years after that introduction, Hank Williams was gone. New Year’s Day, 1953. He was 29. Snow kept walking onto that stage for 46 years.

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Hank Snow and the Night the Opry Finally Opened Its Door On January 7, 1950, Hank Snow stepped into the…

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HE FORGOT THE WORDS TO HIS OWN SONG. THE 863-SEAT THEATER SANG THEM BACK TO HIM. In June 2011 he told the world he had Alzheimer’s. Then he did the opposite of what everyone expected. He went on tour. The Goodbye Tour was booked for five weeks. It ran 151 shows over 15 months, with his own kids in the band — Ashley on banjo, Shannon on guitar, Cal on drums. His wife Kim rode the bus with him. Every night the family braced for the same thing. On the last night, it showed up right in the middle of the song that opened almost every show. November 30, 2012. The Uptown Theatre in Napa, California. 863 seats. Eight songs. He was 76. He got to “Gentle on My Mind” — the one from 1967 — and the verses came out in the wrong order. The room didn’t go quiet. They sang it back to him. His voice was still strong. He was still grinning. After that night, Kim didn’t add any more dates. He never stood on a stage again. Eight songs. That was the whole goodbye.

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He Forgot the Words to His Own Song. The 863-Seat Theater Sang Them Back to Him. On November 30, 2012,…

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CHARLEY PRIDE SANG AT BASEBALL GAMES, HONKY-TONKS AND SMALL CLUBS FOR 11 YEARS BEFORE COUNTRY MUSIC FINALLY HANDED HIM A MAJOR AWARD. THEN HE WON TWO OF ITS BIGGEST PRIZES ON THE SAME NIGHT. Around 1960, Charley Pride was still chasing two dreams in Montana. He played baseball whenever he could. Before games, he sang the national anthem. When people began arriving early to hear him, he was paid a little extra to perform several more songs. At night, he sang in honky-tonks and small clubs. There was no tour bus. No gold record. No guarantee that Nashville would ever give a Black country singer a real chance. Charley kept going. He traveled to Nashville, endured years of rejection and finally signed with RCA. His first two singles failed. The third, “Just Between You and Me,” reached the Top 10 in 1967 and earned him his first Grammy nomination—but not the trophy. More hits followed. “All I Have to Offer You Is Me” became his first No. 1. By 1971, the man who had once sung before small-town baseball games was one of country music’s biggest stars. On October 10, 1971, Charley walked into the CMA Awards after roughly 11 years of performing. He left with Male Vocalist of the Year. Then they called his name again for Entertainer of the Year. His first major awards did not arrive quietly. After 11 years of waiting, country music gave Charley Pride two of its highest honors on the same night.

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Charley Pride Waited Years for Country Music to Catch Up to Him Around 1960, Charley Pride was still chasing two…

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ALAN JACKSON FIRST SANG BEFORE AN AUDIENCE AT 17. HE WAS 32 WHEN COUNTRY MUSIC FINALLY HANDED HIM HIS FIRST MAJOR AWARD — A 15-YEAR WAIT. The first stage was not in Nashville. At 17, Alan Jackson sang in a high-school production of Oklahoma in his hometown of Newnan, Georgia. After leaving school, he worked blue-collar jobs, formed a local band called Dixie Steel and spent his nights performing in small clubs. There were no awards waiting for him then. Alan married Denise in 1979. While he continued writing songs and chasing music, he worked construction and operated a forklift to help pay the bills. In the mid-1980s, the couple left Georgia for Nashville. Alan found work in the mailroom at The Nashville Network and sang demos while trying to get his own songs heard. Then the long wait began to pay off. He became the first artist signed to Arista Nashville. In 1990, his debut album, Here in the Real World, produced four Top Five country singles and introduced his quiet, traditional voice to the nation. In 1991, Alan won the Academy of Country Music award for Top New Male Vocalist—his first major industry award. He was 32 years old. Fifteen years had passed since that teenage performance in Georgia. By then, Nashville was calling him a new artist. But Alan Jackson knew how long it had taken to become one.

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Alan Jackson’s Long Road to His First Major Award Before Alan Jackson became one of country music’s most familiar voices,…

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LORETTA LYNN SIGNED HER FIRST RECORDING CONTRACT IN 1960. SEVEN YEARS LATER, SHE BECAME THE FIRST WOMAN EVER NAMED CMA FEMALE VOCALIST OF THE YEAR. When Loretta Lynn entered music, she was already a wife and mother raising a family in Washington state. She had taught herself to play a guitar her husband bought for her and begun singing in local taverns and community halls. In February 1960, Loretta signed her first recording contract with the small Zero Records label. There was no powerful Nashville company waiting to make her famous. Loretta and her husband drove from town to town, carrying copies of “I’m a Honky Tonk Girl” into radio stations and asking disc jockeys to play it. They slept cheaply, saved every dollar and promoted the record themselves. Slowly, country music began listening. Loretta joined the Grand Ole Opry in 1962. She sang about marriage, motherhood, poverty and unfaithful husbands with a honesty many women recognized from their own lives. Then came October 1967. At the first CMA Awards ceremony, Loretta was named Female Vocalist of the Year—the first woman ever to receive the honor. Seven years earlier, she had been walking into radio stations with her own record under her arm. Now country music was placing its highest female vocal award in her hands.

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Loretta Lynn and the Year Country Music Started Listening In 1960, Loretta Lynn was not a polished Nashville star waiting…

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